Cover of Vienna

Vienna

Eva Menasse

4 ideas

  1. Kindertransport son returns as football star

    In the novel the narrator's father and his brother, sons of a Jewish father and a non-Jewish mother, are sent from Vienna to England on the Kindertransport as boys. After the war they come back to a city that had expelled them, and the father becomes a celebrated footballer while the family goes on telling his exile mainly as comic episodes. The case shows a returnee reintegrating through public popularity in a society that never openly reckons with why he had to leave.

  2. Family anecdotes as a trauma-muffling device

    A family can turn persecution, flight and loss into polished punchline anecdotes, told the same way at every gathering. Once an episode is fixed as a funny story, the telling itself stops anyone asking what actually happened or how it felt. The humor is not denial in the plain sense. It is a shared form that lets painful events be spoken of constantly without ever being examined.

  3. Oft-retold stories replace the events themselves

    Each retelling of a family legend sharpens its shape and drops inconvenient detail, until the version everyone knows has replaced any memory of the original event. Later generations inherit only the finished anecdote. That leaves them fluent in the family's past but unable to tell fact from embellishment.

  4. Half-belonging in a mixed identity family

    A 'half-Jewish' family in Vienna belongs fully neither to Jewish memory nor to the majority Catholic Austrian story. It has members who were persecuted and members who were safe, sometimes in the same household. This in-between position makes identity something each generation chooses, hides or plays up depending on the political moment, rather than a fixed inheritance.

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