A ruler bound by his own decree
A leader who declares a new rule binding can find he has no graceful way to undo it when it fails. Admitting the error means going against his own orders, yet leaving it in place wrecks what it was meant to improve.

In the fourteenth-century court of Delhi, Sultan Muhammad bin Tughlaq announces he will move his capital south to Daulatabad, unsettling subjects already wary of his reforms. Girish Karnad's thirteen-scene play traces a ruler whose brilliance and idealism sit uneasily beside the chaos he leaves behind.
A leader who declares a new rule binding can find he has no graceful way to undo it when it fails. Admitting the error means going against his own orders, yet leaving it in place wrecks what it was meant to improve.
A coin's value can come from the promise behind it rather than from what it is made of, so a cheap metal can stand in for silver. But once a token is easy to copy, people forge it, and the promise collapses into financial disaster.
When a ruler makes prayer the law, people pray because officers will punish them if they don't, not because they believe. Enforced piety drains the act of meaning, and the sacred act itself can become cover for plotting and murder.
A leader who believes he has something vital to teach history, and only one lifetime to do it, grows desperate to make people listen. The urgency to realise a vision for the people's good slides into public executions and terror against those who resist.
A ruler torn between serving God, the good of his people, and his own desires carries that split into his kingdom. Refusing to deny any of the competing visions he finds valid, he leaves the realm as fractured as himself, a fortress weakened from within.