Cultural cannibalism as a creative method
Borrowing Oswald de Andrade's 1928 Cannibalist Manifesto, Tropicália treated foreign culture (the Beatles, electric guitars, pop art, rock) as something a peripheral culture could devour and digest rather than either reject as imperialist or copy as inferior. The mechanism is appropriation on the swallower's own terms: imported forms are mixed with local ones (baião, samba, bossa nova, kitsch radio pop) until the result is something neither source could have produced.
