Cover of The Wild Duck

The Wild Duck

Henrik Ibsen

4 ideas

  1. Gregers exposes the Ekdal marriage's origins

    Gregers Werle tells his friend Hjalmar Ekdal that his wife Gina was once the mistress of Gregers's father, the wealthy Håkon Werle, and that the Ekdal household has been quietly subsidized by Werle ever since, possibly including the paternity of their daughter Hedvig. Instead of the purified 'true marriage' Gregers expects, Hjalmar rejects the adoring fourteen-year-old Hedvig. At Gregers's urging she tries to prove her love by sacrificing the wild duck she treasures, and instead shoots herself in the family's attic.

  2. The life-lie as psychological support

    Dr. Relling names the 'life-lie' (livsløgnen): a sustaining illusion, such as Hjalmar's belief that he will make a great invention or old Ekdal's hunting in the attic, that lets a damaged person keep functioning. The mechanism is that the illusion supplies dignity and purpose that reality cannot. Removing it does not free the person to face truth; it takes away the only structure holding their self-respect together.

  3. Idealism as self-serving moral compulsion

    Gregers presents his demand for truth as a gift to others, but the play shows it is driven by his own guilt and resentment toward his father and his need for a moral mission. An idealist who imposes 'the claim of the ideal' on others without asking whether they can bear it pushes his costs onto the most vulnerable. In this case the one who pays is a child.

  4. The wounded wild duck in the attic

    The wild duck was shot and wounded by Werle and dived to the bottom to die, but a dog brought it back up, and it now lives contentedly in an artificial attic 'forest.' The image shows how damaged people adapt to a diminished, fabricated world and come to prefer it. Seen this way, 'rescuing' them toward open truth can resemble dragging them back to the depths.

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