The Walnut Mansion

Miljenko Jergović (Croatia/Bosnia)

4 ideas

  1. Regina Delavale's century told in reverse

    The novel opens in 2002 with Regina Delavale dying in old age near Dubrovnik, then moves back through the chapters of her family's life. It passes the 1991 siege of Dubrovnik, socialist Yugoslavia, the Second World War, the interwar Kingdom and the First World War, and ends in 1905 around her birth under Austria-Hungary. The reader meets her first as a difficult, damaged old woman and only then learns, chapter by chapter, the marriages, losses and political upheavals that made her.

  2. Reverse chronology turns suspense into irony

    When a story runs backward, the reader already knows how each life ends before seeing the choices that led there. The question changes from 'what will happen' to 'how did they become this'. Each earlier scene reads as poignant, because the characters' hopes are measured against outcomes the reader has already seen and they cannot foresee.

  3. States change while the household stays

    Each regime relabels people's nationality, loyalty and guilt from outside. The domestic layer of houses, marriages, grudges and routines carries on underneath, so large-scale politics reaches ordinary people as a series of disruptions rather than as the substance of their lives.

  4. The elderly as sediment of history

    An old person's harshness, madness or silences can be read as layers laid down by earlier losses, humiliations and political violence, rather than as personality alone. Tracing a life backward reveals these layers one by one. It also shows how parents pass unprocessed damage on to their children, so that each generation's behaviour partly answers the one before.

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