The Storyteller

Mario Vargas Llosa

4 ideas

  1. Saúl Zuratas becomes the Machiguenga storyteller

    Saúl Zuratas, a Jewish student in 1950s Lima marked by a large facial birthmark that earned him the nickname 'Mascarita,' studies ethnology, grows fiercely protective of the Machiguenga, and then vanishes. Years later the narrator, a writer, sees a photograph taken in the Amazon of a hablador speaking to a Machiguenga gathering and becomes convinced the man is Saúl. The novel interleaves the narrator's reconstruction with chapters in the hablador's own voice, which mix Machiguenga cosmology with Kafka's Metamorphosis and Jewish history.

  2. The storyteller as a dispersed society's connective tissue

    The Machiguenga live in small family groups scattered across the rainforest, and the hablador walks between them carrying news, genealogy, and myth. That circulating speech is what makes separate households into one people. The mechanism is that a culture without a center can hold together through a moving narrator who repeats and updates a shared story, so if the narrator disappears the people fragment.

  3. Preserving a culture unchanged is itself an intrusion

    Saúl argues that missionaries such as the Summer Institute of Linguistics, along with anthropologists and developers, destroy the Machiguenga by changing them, so they should be left alone. The novel undercuts this through its own evidence: Saúl changes the tradition from inside, adding his outsider stories to the Machiguenga myths. Indigenous cultures are always absorbing and reworking outside material, so the ideal of a frozen, untouched people is an outsider's fantasy.

  4. The outcast identifies with other outcasts

    Saúl's attachment to the Machiguenga follows from his double marginality as a Jew in Catholic Lima and as a man whose deformed face draws stares. He notices that the Machiguenga once killed babies born with defects and that they live as a persecuted, wandering people much like the Jewish diaspora. Read this way, his conversion is a search for a community in which his difference becomes a vocation, and it is also a projection of his own wound onto another people.

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