The Little Disturbances of Man

Grace Paley

4 ideas

  1. Aunt Rose's lifelong affair with Vlashkin

    In 'Goodbye and Good Luck,' Aunt Rose tells her niece Lillie how, as a young woman selling tickets at a Yiddish theater, she became the long-term mistress of Volodya Vlashkin, a married matinee idol, and gave up a respectable marriage for him. Decades later, after his wife divorces him, the aging Vlashkin comes back and proposes, and Rose announces the marriage with the message 'goodbye and good luck' to her disapproving sister. The story treats a life spent outside respectability as a deliberate choice that was worth making, not as a cautionary tale.

  2. Virginia's troubles fall short on radio

    In 'An Interest in Life,' Virginia opens by saying her husband gave her a broom one Christmas and then left her with four children. Her old boyfriend John Raftery, who is married, starts visiting, and she drafts a list of her hardships to send to the radio giveaway show 'Strike It Rich.' She realizes her poverty and abandonment are too ordinary to count as a winning hard-luck story. The episode shows how public economies of sympathy reward spectacular misfortune while chronic, everyday deprivation goes unrecognized.

  3. Voice as the character's self-defense

    The stories are delivered as vernacular monologues in which the narrator's wit, digressions and idiom are her way of interpreting and controlling events she cannot control materially. Reading the voice this way shows that a speaker's humor about her disasters is a form of agency and dignity, not denial. It also shows that how a person tells her life counts as evidence about that life alongside what happened.

  4. Men pass through; women hold continuity

    Across the collection, husbands and lovers arrive, leave, preach or return on their own schedules. Women like Faith Darwin, who serves breakfast to both her ex-husband and her current husband in 'The Used-Boy Raisers,' carry the lasting daily work of children, meals and neighborhood ties. The stories argue that the real structure of these communities is this unglamorous female continuity, and that men's comings and goings are only disturbances laid on top of it.

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