The Hole

Hiroko Oyamada

4 ideas

  1. Asahi's summer in the husband's compound

    Asahi quits her temp job when her husband Muneaki is transferred to his rural hometown, and they move rent-free into a house next door to his parents. Sent on an errand by her mother-in-law, she follows a strange black animal to the river and falls chest-deep into a hole. She then meets a brother-in-law who says he has lived in a shed for twenty years, a man her husband has never mentioned; after the grandfather dies, she ends the summer in a convenience-store job, and her face in the mirror now resembles her mother-in-law's.

  2. Freedom from work erases the self

    Removing a woman's paid work and her rent looks like a gift, but it strips away the structures that gave her days shape and gave her a public identity. With no obligations, her time turns shapeless and her individual identity thins out. What remains is the role the household hands her: daughter-in-law and errand-runner.

  3. The family absorbs its surplus members

    A household can keep its unwanted or nonproductive members out of sight on the edges of its property instead of expelling them. They are fed, never discussed, and effectively erased. Read this way, the hidden brother in the shed and the idle wife in the rented house hold the same position: tolerated, peripheral and unspoken.

  4. Falling into the role's shape

    The hole Asahi falls into fits her body exactly, as if it had been made for her. It stands for a prepared social slot that a newcomer drops into without choosing to. Once she is inside it, strange events stop feeling strange, and she drifts until she becomes a copy of the woman who held the role before her.

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