The judge-penitent's confession as accusation
Clamence confesses his own vices in terms general enough that the listener recognizes himself in the portrait, and so is led to judge himself too. By accusing himself first he earns the right to judge everyone else, and he turns confession into a tool of domination rather than repentance. The self-accuser keeps the high ground: 'the more I accuse myself, the more I have a right to judge you.'