Cover of Texaco

Texaco

19th century – 20th century

4 ideas

Buy on Amazon

On the edge of Fort-de-France, Martinique, an urban planner sent to survey a shantytown is struck by a stone—and brought to its aging founder, Marie-Sophie Laborieux. As she recounts her life and her father's path from slavery to freedom, this award-winning novel traces generations fighting to hold their ground.

  1. Domination outlives its official tools

    Ending a formal system of control does not end the habits of power it trained. Even after the overseer lost his whip, he kept standing the same old way. Freedom has to be carried actively, and it is the only load that straightens the back.

  2. Cities need their unruly edges

    A city's planned, orderly center cannot survive alone; it depends on the chaotic, self-built settlements around it. The center gives up its memory to renovation and new shopping, while the fringes live on memory and keep its stories alive. Life and identity throb in the space between the two.

  3. Small finery feeds future revolt

    Among the oppressed, the care spent on necklaces, ribbons and hats builds private shrines of pride inside each person. That inner store of dignity is what later stirs up their bursts of rebellion. Under the apparent brutality of such lives runs a great deal of tenderness.

  4. Forced mixing makes open cultures

    When peoples with different languages and cultures are violently thrown together, as through slavery and mass migration, they can produce something new rather than a blend of the originals. Such a culture is not just African or just European; it stays receptive and unfinished. The author warns that even the word for this mixing quietly keeps the old black/white categories alive, so he prefers to speak of relation.

Save ideas and give them a thumbs up or down in the app