Cover of Suddenly, a Knock on the Door

Suddenly, a Knock on the Door

Etgar Keret

5 ideas

  1. A Writer Forced to Tell Stories

    In the title story, a bearded stranger holds the narrator, a writer, at gunpoint in his own living room and demands a story. More uninvited visitors arrive and make the same demand, and each attempt the narrator makes stalls when it circles back to the scene he is trapped in. The piece stages fiction as something extracted from the writer under threat, by an audience that wants escape but keeps intruding into the tale.

  2. Lies Persist in a Parallel World

    In 'Lieland,' every lie a man told as a child exists in a real place, where the people and creatures he invented live out the conditions he casually gave them. Visiting it, he has to face the consequences he caused, including invented beings who suffer because of his careless details. The mechanism is that a fabrication does not vanish once it has done its job. It keeps an afterlife with obligations attached to its author.

  3. The Man Who Answers Wrong Introductions

    In 'Healthy Start,' a lonely man sits in cafés and lets strangers who are waiting for someone they have never met mistake him for their appointment, whether a blind date or a business contact. He plays each role and finds that brief intimacy between strangers under a borrowed identity is easier than a real connection.

  4. Wishes Reveal Values Better Than Declarations

    In the goldfish story, a documentary maker asks ordinary people what they would ask of a talking fish that grants three wishes, treating the answer as an X-ray of the self. The story then turns to a man who actually owns such a fish and holds back from using his wishes, valuing the fish as company more than as a means to power. Seen this way, what people do with unlimited possibility, including declining it, says more about them than their stated goals.

  5. The Surreal Exposes Ordinary Emotional Truth

    Keret's method drops one impossible element, such as a talking fish, a physical lie or an armed demand for fiction, into a flatly realistic domestic setting and treats it deadpan. The absurd intrusion removes the need for explanation and shows the emotions underneath, such as loneliness, guilt and hunger for connection. These feelings would read as sentimental if stated directly, but arrive sharp and funny when a surreal device carries them.

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