Cover of Stranger in the Shogun's City

Stranger in the Shogun's City

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  1. Tsuneno flees to Edo for herself

    Tsuneno, a Buddhist priest's daughter from rural Echigo who endured and ended multiple arranged marriages, abandoned her family and ran to Edo around 1839 with almost nothing, pawning her clothes on arrival. There she worked as a servant in low-status jobs, married again, and struggled in poverty rather than return to the security of her village.

  2. Ordinary lives are recoverable from mundane letters

    A commoner woman who left no public record can be reconstructed in granular detail because her family preserved hundreds of letters about money, marriage, and grievances. The historian argues that administrative and personal paperwork of a literate society makes the interior life of the otherwise invisible accessible.

  3. A great city seen from its servants

    Edo on the eve of modernization is rendered not through shoguns or samurai elites but through the labor, lodging, pawnshops, and precarity of a migrant maidservant. Viewing the metropolis from the bottom reveals the economic machinery and social churn that top-down accounts omit.

  4. The city as self-reinvention over security

    For a woman constrained by rural family and marriage, the anonymity and wage work of a large city offered a way to author her own identity despite hardship. The book presents urban migration as a trade of material security for autonomy and the chance to become someone of one's own choosing.

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