Silence

Shūsaku Endō

4 ideas

  1. Rodrigues tramples the fumie to end torture

    Captured in Nagasaki, the Jesuit Sebastião Rodrigues is not tortured himself; instead he hears Japanese peasant converts hung upside down over a pit and is told they will be released only if he, the priest, steps on a bronze image of Christ. His apostatised teacher Ferreira argues that refusing now serves the priest's pride, not the peasants, and as Rodrigues lifts his foot he hears Christ say 'Trample!', so the apostasy becomes, on his account, an act of love that the Church will record as betrayal.

  2. The swamp that transforms transplanted beliefs

    Inoue and Ferreira argue that Japan is a swamp in which Christianity's roots rot: the converts kept the words but quietly remade the Christian God into something closer to a deified sun or a Buddhist figure. On this view a doctrine carried into a culture without correction is not rejected but absorbed and reshaped until only the vocabulary remains, so missionaries counting converts are counting something that no longer exists.

  3. Inoue persecutes by targeting the leader

    The inquisitor Inoue has learned that killing believers produces martyrs who strengthen a faith, while breaking the priest in public destroys it. So he makes other people suffer for the leader's steadfastness, turning the leader's integrity into the cause of harm to his followers and leaving apostasy as the only compassionate choice.

  4. Faith can survive in the weak

    Through Kichijiro, who apostatises again and again yet keeps returning to confess, Endō argues that a faith that is kept only by the strong and the martyrs has no room for most people. The Christ the novel ends with is one who suffers alongside the weak and the broken, so failure is taken up into faith and does not simply end it.

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