Cover of Kom hier dat ik u kus

Kom hier dat ik u kus

Griet Op de Beeck

4 ideas

  1. Mona at nine, twenty-four, thirty-five

    At nine she manages the household's moods. At twenty-four and thirty-five she is working in theatre and caught in relationships that repeat the same unavailability, until she begins to question the silence she was raised in. The three-part structure lets a reader watch the same childhood wound change form across decades rather than heal on its own.

  2. The mood-reading child as family caretaker

    A child whose parents are emotionally unpredictable learns to watch their faces and tone constantly, and to adjust herself in advance to prevent outbursts or withdrawal. This vigilance becomes her identity. She becomes skilled at meeting other people's needs and loses the ability to notice or state her own. What looks like maturity or 'being easy' is really a survival strategy that persists long after it is needed.

  3. Familiar coldness gets mistaken for love

    Adults raised by unavailable parents tend to choose partners who are also unavailable. Chasing withheld affection feels like the normal shape of love, while steady warmth feels strange or undeserved. The pattern cannot be broken by willpower in each new relationship. It breaks only when the person recognises its origin in the family.

  4. Silence as the family's operating system

    In some families the damage comes less from open conflict than from an unspoken rule that feelings, grief and failures are never named. Everyone cooperates to keep things smooth on the surface. Seen this way, the unsaid thing structures every interaction, and the member who finally speaks is treated as the one causing trouble. So the adult child has to accept that breaking the silence may cost her place in the family's version of itself.

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