Cover of Kidnapped

Kidnapped

Robert Louis Stevenson

4 ideas

  1. Uncle Ebenezer's staircase and the Covenant

    Orphaned David Balfour arrives at the House of Shaws to find his miserly uncle Ebenezer, who has usurped his inheritance, sending him up a tower staircase in the dark that ends abruptly in a sheer drop, meant to kill him. When that fails, Ebenezer pays Captain Hoseason to kidnap David aboard the brig Covenant to be sold into indentured labour in the Carolinas. David is saved only by shipwreck, and at the end he regains his estate with the lawyer Rankeillor's help by tricking Ebenezer into confessing the kidnapping while witnesses listen in hiding.

  2. The Appin murder turns bystanders into fugitives

    Because David was standing there and then ran off with the Jacobite Alan Breck, both of them are proclaimed suspects, although neither fired the shot. Physical closeness to a political killing, together with the company he kept, becomes the case against him, and it forces a weeks-long flight across the Highlands in which guilt is decided by the government's needs, not by evidence.

  3. Alliance across incompatible codes of honour

    David, a Whig Lowlander who is cautious, legalistic and Presbyterian, and Alan, a vain and fearless Jacobite Highlander, depend on each other to survive but judge conduct by opposing standards. Their bond nearly breaks in the quarrel at Balquhidder, after Alan has gambled away David's money and David's wounded pride pushes him to provoke a sword fight. It is saved only when David openly admits his own weakness and need, which shows that loyalty between opposed codes lasts through vulnerability, not through settling who is right.

  4. Endurance in flight wears down moral judgment

    During the heather flight, hunger, exposure and constant fear slowly turn David resentful, sullen and unfair toward the companion keeping him alive. The novel treats physical exhaustion as a force that bends character, so decency under hardship is something continually recovered, not a fixed trait. This makes the reconciliation the moral climax of the book, more than the reclaiming of the inheritance.

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