guwen

Han Yu and Liu Zongyuan

5 ideas

  1. Han Yu Orders the Crocodiles to Leave

    In 819 Han Yu was exiled to Chaozhou after protesting imperial veneration of a Buddha relic. Crocodiles in the local river were devouring livestock, so he threw a sheep and a pig into the water and read out a formal proclamation. It commanded the animals, as though they were subjects under a magistrate, to move to the sea within three days, or at most seven, or be killed with strong bows and poisoned arrows.

  2. The Teacher Is Wherever the Way Is

    Han Yu defines a teacher by function: one who transmits the Way, imparts learning, and resolves doubts. Age and social rank are therefore irrelevant, and one should learn from anyone who grasped the Way first. He attacks the scholar-officials who are ashamed to learn from people of lower status, noting that craftsmen and musicians feel no such shame and that Confucius himself learned from several lesser men.

  3. The Unwanted Little Hill at Gumu Pond

    In exile at Yongzhou, Liu Zongyuan bought a small, overgrown hill for a mere 400 cash, since no one else wanted it. He cleared its brush and burned the weeds until its rocks, trees, and views were revealed. He then remarked that such a site near the capital would be fought over by the rich at enormous prices, yet here it lay abandoned for years. The hill works as a thinly veiled figure for his own talent, discarded because of where it had been placed.

  4. Landscape as Projection of Inner State

    In Liu Zongyuan's Yongzhou records, each scene is shaped by the exile's mind as much as it is described. On Western Hill the climb ends with his mind congealing and his body dissolving into boundless primal energy, and he realizes he had never truly traveled before. At Little Rock Pond, fish seem to hang in empty air, and the place grows so chill and desolate that he cannot stay. The external scene becomes a record of the viewer's inner condition, alternating between release and isolation.

  5. Ancient-Style Prose as Moral Vehicle

    The guwen movement rejected the ornate, rigidly parallel prose of court writing in favor of the freer, plainer prose of pre-Qin and Han masters. Its premise was that style is inseparable from ethics: writing exists to carry the Way, and decorative formula obscures moral content. Han Yu demanded that stale phrases be stripped out, so that renewing the language was itself a means of renewing Confucian values.

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