Cover of El ruido de las cosas al caer

El ruido de las cosas al caer

Juan Gabriel Vásquez

4 ideas

  1. Pilot Laverde's shooting and black-box tape

    In mid-1990s Bogotá, law professor Antonio Yammara befriends Ricardo Laverde, an ex-pilot recently released after nearly twenty years in a US prison. Laverde is shot dead in the street beside him, and Antonio is badly wounded. Antonio learns that a cassette Laverde had been desperate to hear held the cockpit voice recording of the December 1995 American Airlines crash near Cali, which killed his American wife Elaine Fritts, a former Peace Corps volunteer, as she flew to rejoin him.

  2. Public violence becomes private fear

    Violence aimed at the state and the public does not stay public. It moves into the survivor's body and home as chronic fear, insomnia and withdrawal, and so damages marriages and parenting long after the event. The wounded bystander loses the capacity for intimacy because he now feels that safety anywhere, including his own home, is an illusion.

  3. Generational memory built from shared atrocities

    A generation born around 1970 can be defined by the public killings and bombings it lived through, such as the Galán assassination and the Avianca 203 bombing. Its members locate their private biographies by where they were when each one happened. Seen this way, national violence works as a common calendar that binds strangers together, and it explains why victims feel compelled to trade their memories with one another.

  4. Innocent origins of a criminal economy

    The cocaine violence of the 1980s grew out of an earlier period that felt harmless and even romantic: idealistic Peace Corps volunteers, adventurous young pilots and the marijuana flights of the late 1960s and 1970s. Ordinary people drifted into smuggling for money and thrills without foreseeing the machinery they were helping to build. Reconstructing one life backward shows that later catastrophe was assembled from small, unremarkable choices.

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