Cover of Aké

Aké

Wole Soyinka

2 ideas

  1. Egba women's tax revolt through a boy's eyes

    In Abeokuta in the 1940s, a social-education effort for market women led by Mrs. Ransome-Kuti ('Beere' in the book) and Soyinka's mother grew into an organized women's movement. It confronted the Alake's palace and the colonial authorities over taxation of women and abuses by officials, while the boy Wole ran errands among the organizers. The memoir shows traders without formal political office mounting sustained collective pressure on a colonially backed ruler.

  2. Child's eye fuses rival cosmologies unranked

    The young narrator treats the Anglican parsonage and the Yoruba spirit world as equally real. Hymns and catechism sit beside egungun masqueraders, forest spirits, and the abiku child who keeps dying and returning, with no ranking between them. Telling colonial life through a mind that has not yet learned which belief system is 'official' shows the world as it was actually lived, not as either missionaries or traditionalists described it.

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