Cover of Narrative and Numbers

Narrative and Numbers

Aswath Damodaran

8 ideas

  1. Story-to-Numbers Conversion Pipeline

    Translate a business story into value by mapping each narrative element onto a specific valuation input: the total market becomes revenue potential, competitive advantage becomes operating margin, and the business model becomes reinvestment and risk. Walking story across this bridge produces value drivers that can each be checked against the narrative.

  2. Narrative Type Predicts Valuation Difficulty

    Different narratives carry different uncertainty profiles, so a company's story dictates how its value should be estimated and how wide the range of outcomes will be. A 'disruptive growth' story produces a much larger valuation distribution than a 'stable mature' story, and pretending otherwise creates false precision.

  3. Narrative changes: breaks, shifts, and changes

    New information affects a story in three distinct ways, each requiring a different response. A narrative break is an event that ends the story, such as a legal or existential shock. A narrative change fundamentally alters the story's direction, while a narrative shift leaves the core story intact but adjusts its magnitudes. Earnings reports, management actions, and macro events should be read as tests of the story, not just of the numbers.

  4. Ferrari's exclusivity story caps its growth

    In valuing Ferrari at its 2015 IPO, Damodaran treated it as a luxury brand whose pricing power depends on scarcity. That meant high margins and low risk, but deliberately low volume growth, because selling many more cars would erode the exclusivity that produces those margins. The narrative becomes a constraint that ties growth and margin together, so they cannot be set independently in the model.

  5. Valuation bridges storytellers and number crunchers

    A valuation built only on numbers is anchored to nothing and can be pushed anywhere by spreadsheet inputs, while a story with no numbers drifts into fantasy. The defensible valuation pairs a business narrative with numbers so that each constrains the other: the story explains why the numbers are what they are, and the numbers expose when the story is implausible.

  6. The Five-Step Narrative-to-Value Process

    First develop a story for the business, then test whether it is possible, plausible, and probable. Next convert the story into valuation inputs such as market size, market share, margins, reinvestment, and risk, then value the business from those drivers. Finally, keep the feedback loop open by asking critics and people who disagree to challenge the story and the numbers.

  7. Possible, Plausible, Probable Story Tests

    Stories fail in escalating ways. An impossible story breaks basic constraints, such as a company growing larger than its total market. An implausible story contradicts what the business model can deliver. An improbable story is conceivable but unlikely, so its value should be discounted or weighted accordingly rather than treated as the base case.

  8. Uber as urban car service versus mobility company

    Damodaran valued Uber at about $5.9 billion in 2014 using a narrative of an urban car-service company in a limited market. Bill Gurley argued that Uber was a broader logistics and mobility business with network effects, which implied a much larger total market. The dispute was not over discount rates but over which story was right, and revising the story changed the value substantially. This shows that disagreements about value are usually disagreements about narrative.

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